It had everything I want out of an expensive Broadway show: over-the-top sets and theatrics with wonderful music and not a bad story line at all. After all, good does triumph evil.
It was like the circus in that way. No one wishes for an accident to happen, of course. But the fact that it is a possibility -- and one you just might witness up close -- makes all those acts of teetering on high wires, tangling with tigers, racing on horses all the more exciting. Same here. And unlike the circus, all the action was done without any safety net, just cables. And cables wouldn't protect the stuntmen if they hit the balconies. We joked about wearing helmets.
The show did a particularly wonderful job on sets, recreating the feel of the Big Apple and the battle between good and evil high above the skyscrapers. It also captured the comic book feel with it's pow! wham! splat! word bubbles, bright colors and spider walk up the walls.
At the same time, it was a complex take on the Spiderman story with its base in Greek mythology and Greek tragedy, down to the comic chorus of teens who kept the dimmer among us apprised of the story line and balanced Spiderman's angst with silly jokes. I loved the little touches, like the girlfriend who acts in The Fly, another tale of metamorphosis. Or her self-doubt that she'd ever make it to Broadway. It wasn't perfect. It dragged in the second act, in part because of a sidebar of song and dance about a series of villains thought vanquished that reappear. But all in all, it was a wonderful evening of entertainment. And it has set a new standard for the Broadway spectacular. Go see it!
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